Episode 523 – Back for… shhhh…. 2022.

We’re back for another year!
Paul Sutton pointed us to a post on fstoppers about what format sensor you should be shooting with.
But does it really matter? Joe Edelman argues that it doesn’t.

Then, this post/video about why becoming a professional is so hard. But is it, really?

Like the approach of applying a colour grade to your images? Try out this web-based app which allows you to upload a destination image, and a source image. It’ll make the colour palette of the source to your destination image and allow you to download the result.

Planning on shooting underwater images with your “waterproof” cellphone? Here are a few things to consider.

Glynn told us that Gnarbox has unfortunately become another casualty of the pandemic and supply-chain issues.

Imagen AI is a bulk-image-processing engine, that for a quite reasonable fee, will take hours out of your processing time for large shoots. Check out the petapixel review here.

Remember the story we covered late last year about the earliest-born person captured on film? We have ANOTHER contender, born in the same year…. 1749!

Astro-photographer Ethan Gone went out one night to shoot the North America Nebula and the Rosette Nebula. But while he was shooting, he realised he was seeing the James Webb deep space telescope moving across his individual frames. So he changed tack, and instead shot a timelapse of the transit.

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Bruce Williams

I have been a professional audio engineer since the mid 80's and am happy to do for free in my spare time what I get paid to do during the week. I created Shutters Inc in May 2005, and it is today (as best as I can tell) THE longest-running photography podcast in the world.